Additionally, the masses and motets of composers such as Josquin also displayed the imitative polyphonic style. This swing away from imitative polyphony played a huge role on music composed in the Baroque period. Imitative polyphony was so important that it continued into the Baroque period, especially in sacred music for the church. Additionally, the masses and motets of composers such as Josquin also displayed the imitative polyphonic style. ... Imitative polyphony is the distinctive characteristic of Renaissance Music. Texture - polyphony. Renaissance Era. Polyphonic music has parts that weave in and out of each other. Imitative polyphony was so important that it continued into the Baroque period, especially in sacred music for the church. Since Water Music was first performed in 1717, it included a mix of both homophony and imitative polyphony. Imitative counterpoint is a composition technique that states an idea and then repeats it within other voices possibly in other keys. This may be used in a strict regulated and balanced pattern or otherwise. The opera makes frequent use of imitative polyphony as was common practice during the late renaissance time period. Featured most prominently during this era was counterpoint, which is the utilization of two or three melodies being played simultaneously. The polyphony not only shows the Brazilian culture, but also combines the culture with Bach's Baroque style. Probably his most notable characteristic was the fact that he taught the most famous Renaissance composer, Josquin des Prez. Polyphony in the Baroque era differed from the Renaissance, characterized by tonal harmony and an energetic driving rhythm. Gravity. The distinctive musical sounds of the Renaissance era were comprised of a smooth, imitative, polyphonic polyphonic style, as seen in the music of Byrd, Palestrina, and Lassus. Created by. One of the most popular techniques composers use to create cohesion in their work is that of imitation. Learn. The canon and the fugue are among the forms based on this principle. Use Code "Newclient" However, techniques evolved and new styles emerged. Also, there were frequent harmonic changes in the music.. Polyphony progressed to what would be known as Imitative Polyphony, which as the picking up and echoing of a melodic line by each of the instruments in the orchestra. Write. Additionally, the masses and motets of composers such as Josquin also displayed the imitative polyphonic style. PLAY. Known for his excellent bass voice, Ockeghem was a composer of masses, motets, and chansons. Test. The distinctive musical sounds of the Renaissance era were comprised of a smooth, imitative, polyphonic style, as seen in the music of Byrd, Palestrina, and Lassus. 15 Mar. music. Flashcards. Imitative polyphony (more than one line of music) still was an extremely important factor in writing and playing music, while the homophonic method (a musical technique that displays a vast separation amongst the melody line and the accompaniment) was gaining acceptance and use quite rapidly. Imitative polyphony can be easily heard in the music of Byrd, Gibbons, and Gabrieli. Madrigal Madrigals were a popular style of poem from well before the Baroque period, using a free rhyme scheme and meter, such as an alteration of 7- and 11-syllable lines. U of Houston, n.d. With the addition of more lines to music, composers began creating pieces that were more complex that before but still emphasized the text and vocal components of the piece. "Looking for a Similar Assignment? Imitative polyphony was so important that it continued into the Baroque period, especially in sacred music for the church. moving up the scale on the word “ascending”, or suddenly dropping in volume on “softly’.) 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